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| − | '''Pop punk''' is a term applied to a style of [[punk rock]] music that became commercially successful during the late [[1990s]] with the band [[blink-182]], based on earlier groundwork laid by groups such as [[Green Day]]. The pop punk genre, though highly debated as authentically punk, or merely teen-focused pop, is nonetheless a powerful force. Many musicians who started in pop punk bands would later go on to form more hard-edged sounds as the members grew older and more experienced.
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| − | ==History==
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| − | ===Origins===
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| − | Pop Punk (or Punk Pop) is a musical style which emerged at the on-set of punk rock in 1975 with America's counterpart of England's [[Sex Pistols]] and [[the Clash]] - [[The Ramones]] (who actually formed before the [[Sex Pistols]] or [[the Clash]]). The Ramones were trying to bring about a rock and roll revival and were huge fans of [[The Beatles]]. During 1975 their sped-up buzz saw, loud and fast, minimalistic melodic rock differentiated them from other groups who were lumped in the with the punk's early artist such as Television, [[Patti Smith]], [[Iggy Pop]], [[Talking Heads]] and etc. Though The Ramones themselves would never have a number 1 hit, and never crossed over completely to mainstream culture, they would set the stage for the pop punk genre.
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| − | The early [[80s]] was a time of reaction against the images offered up by the mass media about punks. Hardcore developed in response which claimed greater authority over what was actually punk. Black Flag and Minor Threat on the Pacific and Atlantic coasts are just two prime examples of this phenomenon. The music nabbed the aggression and violence of the Sex Pistols, ran away from the pop conscious sounds of The Ramones, and incorporated politics from the Clash into their music to an even greater degree. This sound was predominant through much of the 1980s.
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| − | As Hardcore became more standard other groups began to respond by embracing pop hooks again and catchy melodies as an alternative to the hard speed sounds of hardcore. By this point punk in America, which had been confined to urban environments in the late [[70s]] and 80s, was really permeating all across the country. MTV which had begun in the 80s was still rather young and had yet to embrace much punk music either. By the [[90s]] many of the band s that had started in the late 80s and 90s were getting better and more experienced. [[Nirvana (band)|Nirvana]]'s [[1991]] release of ''[[Nevermind (album)|Nevermind]]'' was the album and the moment when the indie-rock college scene post-hardcore community began to surface. Nirvana did much to pave the way for future bands across many genres by blowing the doors open
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| − | ===The Influence of College Rock & Lookout! Records===
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| − | By the middle of [[1980s]] hardcore was beginning to slow down, with [[Black Flag]], [[Minor Threat]] and [[Dead Kennedys]] all splitting up within a few years of each other. Many other bands who did manage to stay together either outgrew the style as they became more technically proficient musicians and better songwriters, with many moving into [[thrash metal]] territory, or forming entirely new bands to play music that didn't adhere to hardcore's strict "Loud Fast Rules" philosophy.
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| − | At a similar time [[college rock]] became more popular due to its reliance on poppy, catchy melodies rather than noise, aggression and violence as had been the case with hardcore. Bands like [[R.E.M. (band)|R.E.M.]], [[Camper Van Beethoven]], [[Beat Happening]], [[Dinosaur Jr]] and [[the Pixies]] led the way alongside some of the poppier hardcore bands such as [[Hüsker Dü]] and [[The Replacements]]. Inspired by this new, but lesser well known bands were formed such as [[The Donner Party_(band)|The Donner Party]] and [[Dead Milkmen]]. Something similar happened in [[post punk]] [[Britain]] with the rise of [[Twee pop]], a style of music strongly influenced by jangly guitar pop bands like [[The Byrds]] and [[The Smiths]] as well as early R.E.M. and [[Pacific Northwest]] [[Indie rock|indie]] institution [[Beat Happening]].
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| − | In [[1988]], [[Lawrence Livermore]] started a record label called [[Lookout! Records]]. Based in [[California]], the label initially specialised entirely in a sunny, upbeat take on punk rock that both strongly recalled the thrashy bubblegum pop of The Ramones and stood in opposition to the Hardcore punk movement that had ruled the [[North America]]n punk scene in the early-mid '80s. In this way it was similar to college rock in America and twee pop in Britain but it was different enough to establish an audience outside of both these scenes whilst possessing a similar spirit.
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| − | Lookout! Records were in a enviable position as they arrived at the right time to capitalize on this desire for rock music that was catchy and accessible but with an underground cool about it. Some of the Lookout! bands broke through into the mainstream in the 1990s after the release of [[Nirvana_(band)|Nirvana]]'s major label debut ''[[Nevermind]]'' in [[1991]] proved that punk rock bands could shift millions of units and get onto commercial radio and [[MTV]].
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| − | ===Green Day and the First Wave of California Punk===
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| − | It wasn't until [[1994]] that the melodic strand of punk inspired by the Ramones broke through on par with Nirvana's success. Green Day's album ''[[Dookie]]'' was the record which put pop punk on the map. The record was a huge commercial success, both in terms of sales and exposure on commercial radio and MTV. [[The Offspring]]'s breakthrough album ''[[Smash (album)|Smash]]'' arrived a couple of months later, selling more than 11 million copies and becoming the biggest selling release of all time on an independent record label.
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| − | Other bands like [[Rancid]] and [[NOFX]] were pulling their weight and selling out huge concert halls. In addition many of the bands of the late 80's and early 90's who championed this style such as [[Crimpshrine]], [[Jawbreaker (band)|Jawbreaker]], [[blink-182]], [[Screeching Weasel]] and [[The Descendents]] just to name a few found a public much more ready for their sound. Lookout Records was one of the main labels behind Green Day and others. [[Fat Wreck Chords]] (owned by [[Fat Mike]] of NOFX) and [[Epitaph Records]] (owned by [[Brett Gurewitz]] of [[Bad Religion]]) also hosted pop punk artists, though they had a reputation for a more aggressive and diverse roster.
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| − | The overnight success and [[sell-out]] status controversy of Green Day created a media whirlwind which reached all corners of the country. In response, teens all over picked up guitars and started bands, many hoping to achieve what Green Day and The Offspring had done. Green Day was formed in the late 80's and was caustically anti-major label, turning down offers from the majors for years. [[Maximum RocknRoll]], which, apart from being a magazine, was anti-major labels and anti-corporate advertising, had supported Green Day and many other bands which eventually went on to sign with majors.
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| − | ===Blink-182 and the Second Wave of Southern Californian Punk===
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| − | In [[1999]], blink-182 released their breakthrough album ''[[Enema of the State]]''. Whereas Green Day and their contemporaries had not really altered their sound during the move from indie to major label, blink-182's breakthrough record boasted a radio friendly sound and slick production when compared to the more thrashy, trashy sound of their independently released recordings. The album disappointed some fans who accused them of [[selling out]], blatantly softening their sound in pursuit of major success and playing the major label game by the book. By this point the pop punk genre had completely crossed over to the mainstream. Listeners of ''Enema'' were often jock or preppy kids who were seen to be in direct opposition to the punk kids to whom this music "belonged." However with the Internet full steam ahead, the accessibility of music and the impending dot com bubble and burst on the horizon, more and more kids were downloading songs and listening to music which would have previously been outside their "domain." The result was that all subcultures became much more accessible and as such also lost their potency. The listeners of music now were also probably listening to hundreds of other bands probably overlapping several genres.
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| − | Despite, or perhaps because of this, ''Enema of the State'' became the band's most commercially successful release to date, garnering much radio airplay and widespread airing of the band's pop-parody [[music video]] for "All the Small Things". Their next album, ''[[Take off Your Pants and Jacket]]'' continued their commercial success and was similar in style to ''Enema of the State'', alternating thrashy choruses with chuggy verses and combining the catchy melodies and anthemic choruses of Green Day with ''[[American Pie (movie)|American Pie]]'' [[Toilet humour|style humour]].
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| − | Following the success of the album, major recording labels began heavily recruiting and promoting punk pop acts.
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| − | Bands such as [[Good Charlotte]] and [[Sum 41]] had hits on both sides of the [[Atlantic Ocean|Atlantic]] following this mass signing of punk bands by major labels. These, as well as lesser known bands such as [[Bowling for Soup]], became prime targets for criticism. They were perceived as adding little-to-nothing to the pop punk sound that already existed and were criticised from certain quarters that viewed them as pure careerists, apeing a sound that had reached its conclusion years ago, purely to become rich and famous.
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| − | ===The new millennium===
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| − | The new millennium brought on a host of new pop punk groups which pushed catchy singalong melodies and simple sugar-coated guitar solos. The emo strain had also crossed back into the punk genre. [[New Found Glory]] mocked and embraced the "boy band" culture surrounding [[Britney Spears]], *NSYNC and [[the Backstreet Boys]]. [[Allister]], [[The Ataris]], [[Midtown (band)|Midtown]], [[Saves the Day]], [[Fall Out Boy]], [[The All-American Rejects]], [[Simple Plan]], and [[Good Charlotte]] are some of the bands achieving widespread notoriety. Bowling For Soup also clocked in with some nerd tunes with almost a nod to Weird Al Yankovic. Yellowcard won some awards.
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| − | Among the old pioneers, in [[2004]] Green Day have released their most acclaimed album so far, ''[[American Idiot]]''. Labeled punk-[[rock opera]], it is a bold and significant move that showcases a natural progression for the Californian act beyond their pop punk roots in a more political and retrospective way. According to the band, the album will become a movie in [[2006]], just like ''[[Tommy (movie)|Tommy]]'' and ''[[Pink Floyd The Wall (film)|The Wall]]''.
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| − | [[blink-182]] released their first ''[[blink-182 (album)|untitled]]'' album, a top-seller which was more introspective with not a single joke song, marking a progression from their previous ''American Pie''-records. The album was much acclaimed but didn't outsell their ''Enema of the State''. Soon after the band entered into a hiatus, with bandmembers devoting to solo projects.
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| − | Bassist [[Mark Hoppus]] and drummer [[Travis Barker]] aligned with the female singer Carol Heller, formerly of Get The Girl to release a new album by the name of [[Plus 44]], scheduled for projected release in the end of [[2005]]. Guitarist and vocalist [[Tom DeLonge]] formed new band [[Angels and Airwaves]] - including [[The Offspring]] drummer [[Atom Willard]] and [[Box Car Racer]] bassit [[David Kennedy]] - with an album expected to be released sometime in first quarter of 2006.
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| − | In early [[2001]], one of the pioneers of the pop-punk genre, the [[Chicago]]-based band [[Screeching Weasel]] disbanded a few months after playing a sold-out show with [[Yesterday's Kids]] and [[The Queers]] at the [[House of Blues]] in Chicago. Following the break-up, Screeching Weasel guitarist [[John Jughead]] formed an [[acoustic pop-punk]] band, which he christened [[Even in Blackouts]] in reference to the band's capability to perform ''sans'' electrification. EiB, as the band is sometimes known, has toured extensively and put out two full-lengths and an EP. The band has won praise from critics and fans alike for their musicianship and for the new twist that have put on the pop-punk genre. Although plans were announced for a [[Screeching Weasel]] reunion tour in the fall of 2004, these failed to come to fruition. The band's frontman, [[Ben Weasel]] is currently beginning work on an eponymous solo project.
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| − | ===Pop Punk or Punk Pop?===
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| − | The term "Pop Punk" is so despised that it is often referred to as "Punk Pop". But the two are more or less interchangeable. In [[2002]], the debut album by [[Canada|Canadian]] singer/songwriter [[Avril Lavigne]], ''Let Go'', was released. Released on [[June 4]], [[2002]] by a major label, [[Arista Records]], it sold 4,000,000 copies within six months of its release. It topped the charts around the world and, at just 18 years old, she became the youngest female to top the charts in [[Britain]]. Though her punk rock credentials are debatable, Lavigne was aggressively marketed as a "[[skater|skater chick]]", both because of her image and the hit song "Sk8er Boi".
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| − | For many in the punk community, Avril Lavigne represented the final co-opting of punk rock by the major labels and the mainstream in general, a heavily diluted, highly radio friendly version of punk rock music with just enough (arguably fake) angst to appeal to both a pure pop demographic and young adolescents just developing an enthusiasm for punk rock. Some claimed she was just [[Britney Spears]] in punk rock clothing, supported by an even more complex and highly controlled [[marketing]] effort, and that her punky sound was a highly [[Cynicism|cynical]] marketing pose on behalf of her label. Whatever the truth, some longtime punk fans savagely denounced Lavigne on the Internet and elsewhere.
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| − | In Britain, [[Busted]] filled a similar role to that of Avril Lavigne, with an appeal and a sound very similar to those of Lavigne. A band highly derivative of the aforementioned Busted, [[McFly]], became popular just after Busted's success and, with an extremely similar sound and image, reached #1 on the British official album chart. Despite the intense marketing efforts and commercial success involved with pop punk, aficionados claimed a clear distinctiveness between pop punk and punk pop.
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| − | ==Common misconceptions about pop punk==
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| − | Pop punk is sometimes associated with the label [[Emo]]. Emo is a form of [[Hardcore punk]] that places emphasis on emotion instead of the usual politics or other social commentary. Pop punk is associated with emo because of bands like [[Jimmy Eat World]] & [[Get Up Kids]] who borrowed many emo ideas earlier in their careers, but have since been heavily affected by their respective major label deals in a way that means their music presently bears only the most superficial of similarities to emo. Additionally, many people who do not like one do not like the other and therefore think of them as the same. A further misconception is that bands like [[Weezer]] and [[The Vines]] are Pop-Punk bands. They are actually [[Power pop|Power-Pop]] bands.
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| − | Arguably the biggest misconception is grouping together all music within the pop punk movement as talentless and not real punk. It is almost a cliché among rock fans to dislike all pop punk, and the worthlessness of the entire genre is seen as self-evident. However, while some music critics do not rate Simple Plan or Avril Lavigne very highly for their shallow lyrics and perceived lack of original talent, many other bands such as Green Day whose lyrics are perceived to be more deep and symbolic, have been critically acclaimed. Many experts regard the latter bands such as Simple Plan and Good Charlotte as the equivalents of [[The Monkees]] as the music industry's response to the success of [[The Beatles]], or [[post-grunge]] as a response to [[grunge]].
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| − | == Underground Pop Punk ==
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| − | Parallel to the influx of mainstream pop punk bands, there are still a number that remain underground. Bands like [[Groovie Ghoulies]] from [[California]], [[Screeching Weasel]] from [[Chicago, Illinois|Chicago]], and [[Moral Crux]] from [[Washington]] have obtained a large fanbase without following the mainstream. In the [[Punk rock|punk]] community, listening to underground [[pop punk]] doesn't have the stigma attached to listening to their mainstream counterparts.
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| − | ==Notable pop punk artists/bands==
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| − | {{Dubious}}
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| − | ===First Wave Acts===
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| − | *[[Alkaline Trio]]
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| − | *[[blink-182]]
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| − | *[[Goldfinger (band)|Goldfinger]]
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| − | *[[Green Day]]
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| − | *[[Lawrence Arms]]
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| − | *[[Lagwagon]] (independent)
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| − | *[[Me First & The Gimme Gimmes]] (independent)
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| − | *[[Vindictives]]
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| − | *[[The Mr. T Experience]]
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| − | *[[Jawbreaker]]
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| − | *[[Beatnik Termites]]
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| − | *[[Queers]]
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| − | *[[MxPx]]
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| − | *[[No Use for a Name]] (independent)
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| − | *[[The Offspring]]
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| − | *[[Head]]
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| − | *[[Parasites]]
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| − | *[[Boris the Sprinkler]]
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| − | *[[Zoinks!]]
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| − | *[[Invailds]]
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| − | *[[Underhand]]
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| − | *[[Cletus]]
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| − | ===Second Wave Acts===
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| − | *[[The All-American Rejects]]
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| − | *[[American Hi-Fi]]
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| − | *[[The Ataris]]
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| − | *[[Avril Lavigne]]
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| − | *[[BODMAS (band)|BODMAS]]
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| − | *[[Bowling For Soup]]
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| − | *[[Fenix Tx]]
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| − | *[[Flatcat]]
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| − | *[[Gob (band)|Gob]]
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| − | *[[Goldfinger (band)|Goldfinger]]
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| − | *[[Good Charlotte]]
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| − | *[[Lit]]
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| − | *[[Lillingtons]]
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| − | *[[McKrakins]]
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| − | *[[The Mopes]]
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| − | *[[Proteens]]
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| − | *[[The Ergs!]]
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| − | *[[The Unlovables]]
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| − | *[[Lightning War]]
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| − | *[[Mest]]
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| − | *[[Midtown (band)|Midtown]]
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| − | *[[Nailpin]]
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| − | *[[New Found Glory]]
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| − | *[[Not By Choice]]
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| − | *[[Osker]]
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| − | *[[Relient K]]
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| − | *[[Silverene]]
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| − | *[[Simple Plan]]
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| − | *[[The Starting Line]]
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| − | *[[Sugarcult]]
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| − | *[[Sum 41]]
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| − | *[[Yellowcard]]
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| − | ===Independent Pop Punk===
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| − | *[[Even In Blackouts]]
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| − | *[[Guttermouth]]
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| − | *[[Millencolin]]
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| − | *[[Motion City Soundtrack]]
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| − | *[[NOFX]]
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| − | *[[Fallout Boy]]
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| − | *[[Knock Knock Records]]
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| − | *[[Thick Records]]
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| − | *[[Whoa Oh Records]]
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| − | *[[Insubordination Records]]
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| − | *[[Stardumb Records]]
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| − | [[Category:Punk genres]]
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| − | [[Category:Pop music genres]]
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